![]() ![]() It’s not uncommon for video editors to be called upon to balance the color of a scene, if not completely grade the video, as well. With access to these powerful color-grading tools, video editors are often expected to know how to use them. ![]() This convergence of software has led to a blurring of the line between the roles of video editors and colorists. Video editors can change the entire mood of a scene or just the color of a single object in the frame without even rendering their timeline.ĭon’t forget, I promised bad news, too. ![]() With the powerful and precise control these tools offer, you can make day look like night, turn a warm sunset into cool dusk, or turn a red car blue. This convergence of NLE and color-grading software means that regardless of the program you choose to edit your video, this an exciting time to work in post production. Perhaps as a response to this competition, the developers of dedicated color-grading and VFX software like Davinci Resolve, Nuke, and Scratch have introduced non-linear editing tools into their software. Over the last decade, the makers of non-linear editing software have strengthened the color-grading abilities of their software to the point where they now rival dedicated color-grading software in control and ability. Never before have video editors had such an extensive set of color-correction and color-grading tools available at their fingertips. If you are a video editor or are looking to get into video editing, I have both good news and bad news. ![]()
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